Jon Carter - Acid House Reborn! download free

Jon Carter Acid House House 2003

Genre:	Electronic
Performer:	Jon Carter
Title:	Acid House Reborn!
Style:	Acid House, House
Date of release:	2003
MP3 album size:	1667 mb
FLAC APE album size:	1720 mb
WMA album size:	1763 mb
Digital formats:	FLAC AU WAV WMA MOD MPC AA

Tracklist Hide Credits

1	–Bam Bam	Where's Your Child?	4:20
2	–Stashrider	Voodoo	3:36
3	–FC Kahuna Feat. Radio Slave	Nothing Is Wrong Featuring – Radio SlaveVocals – Betty Butterfly-Barbido	3:03
4	–The Biz	Satisfaction (Radio Slave Mix) Remix – Radio Slave	3:18
5	–LFO	Freak (Edit)	2:03
6	–Hughes & Spier	Idiot Box	1:30
7	–Tiga	Hot In Herre Co-producer – Mateo MurphyMixed By – Babydaddy	2:45
8	–Green Velvet	Genedefekt	5:13
9	–Audio Bullys	Way Too Long (Switch Mix) Remix – Switch	3:40
10	–Jon Carter & Dan Peppe	I Can't Wait	6:30
11	–Wink*	Superfreak (Freak) (Blakkat Mix) Remix – Blakkat	5:01
12	–Underworld	Cowgirl (Futureshock Remix) Remix – Futureshock	6:17
13	–The Chemical Brothers	Electronic Battleweapon 6	5:39
14	–Hardfloor	Acperience	6:42

Credits

DJ Mix – Jon Carter

Notes

Project co-ordination and track clearance by Ralph Moore.
Track 07 contains an interpretation of "Bustin' Loose" by Charles Brown.
Track 09 contains elements of "(I Don't Want To Go To) Chelsea" by Elvis Costello.
Free with the October 2003 issue of Mixmag.

Track 11 is credited on the CD as the "Blakkat mix", it is actually the "Dean Coleman Remix".

Barcode and Other Identifiers

Matrix / Runout: DISCTRONICS MIXMAG045 03
Matrix / Runout: MADE IN THE UK BY UNIVERSAL M & L
Mastering SID Code: IFPI L136
Mould SID Code: IFPI 04D2

Nea

Apparently acid house is back. Well considering Josh Wink and Hardfloor were using manic 303s well into the late 90s, it hardly went away. This is a very good CD from Mixmag. Some good tracks, especially Bam Bam, LFO and Green Velvet, all perfectly mixed by Jon Carter. This CD shows off his masterful abilities on the decks and its very very difficult to tell where a mix starts and ends which I feel is always a good sign because it then becomes one long track instead of a set of tracks. In the magazine it actually says that at one point there are 4 tracks bubbling away in the mix. I'm not sure where abouts but there are a few occasions when I can make out 3 tracks.